An analysis of the revisions and deletion in the film the grapes of wrath by john ford

Plot[ edit ] The narrative begins just after Tom Joad is paroled from McAlester prisonwhere he had been imprisoned after being convicted of homicide. On his return to his home near Sallisaw, OklahomaTom meets former preacher Jim Casy, whom he remembers from his childhood, and the two travel together. Graves tells them that the banks have evicted all the farmers, but he refuses to leave the area.

An analysis of the revisions and deletion in the film the grapes of wrath by john ford

The Grapes of Wrath (film) - Wikipedia

In the right side of the frame, however, Wyatt Earp stands in the shadow, his face dimly visible, his back turned toward the camera, intently observing Clementine over his shoulder. Wyatt perceives in her hardly much more than imperceptible reactions what he had supposed and hoped had withered — her lingering love for Doc Holliday.

Her posture elevates and her admiring look fixates ever more strongly upon Doc as Doc recovers his long-abandoned vocation as physician caring for a patient. Unaware of the man right next to her who studies her reactions intently, the man who surely she was convinced had stolen her affections, she steps past him and towards Doc when Doc commands her to come forward to assist.

She passes, still captured in the light, and Wyatt turns slowly to follow her movement — his face now fully darkened in shadow. He then slowly turns back the other way, leans on the bar, draws his hand up to his face, and tilts his head slowly down, the light from not quite directly behind delicately haloing his profile.

The shot lingers twelve seconds on Wyatt in his throes of dejection. Wyatt stays at the end of the bar, next to a steaming kettle, through to the conclusion of the operation.

The wafting steam, the low moans of the surgical patient, and the muffled whooping and hollering from the saloon next door provide understated swirls of aural and visual counterpoint to the elaborately detailed deeply contrasting chiaroscuro long-shot composition from the far end of the saloon cum impromptu operating room, an image sustained for fifteen seconds.

Doc pauses at the door, while Clementine expresses how proud she is in him, exuding a conciliatory overture that does not quite carefully mask rekindled though clearly not reciprocated emotions.

She follows Doc out the door, final confirmation of what Wyatt will have surmised — that her affections are irrepressibly drawn to Doc and not to him. Wyatt looks down pensively, drumming his fingers idly. Finally he looks up, still subdued, and asks Mac J.

It is a quintessentially Fordian moment, in which quiet, easily-missed subtle visual detail lyrically woven into a seemingly functional montage transmits vitally important information about character development, and fully more important than the dialogue and action that promotes the obvious structures of the plot.

The poignancy is punctuated by distracting humor.

An analysis of the revisions and deletion in the film the grapes of wrath by john ford

It is as if John Ford hides himself in those shadows, very studiously embedding meaning just beneath the surface dramatic context. Ford routinely worked closely with his cinematographer, counting himself as the best cameraman in Hollywood.

Gun control is wrong and should be abolished

Wyatt and his brothers arrive in Tombstone unmarried, leading a herd of cattle. Wyatt accepts the position of Marshall after one of his brothers is murdered. He confronts the Clantons in the OK Corral after a second brother is killed.

The Earps are the only law officers in Tombstone. No other cowboys or gunfighters are associated with the Clantons. Billy is killed prior to the shootout and the rest of the Clanton clan die in the shootout at the OK Corral.

The feud with the Clantons concludes with the shootout, and Wyatt and Morgan leave Tombstone soon after, leaving Clementine behind. The film is shot in Monument Valley, which little resembles the terrain surrounding Tombstone miles to the south — though a few saguaro cacti native to southern but not northern Arizona find their place in the town.

All of these elements of the film contradict historical or geographical fact. The plethora of these divergences and on some points seemingly gratuitous 48 Chapter Three flaunting of liberal adaptation indicate not so much inattentiveness as it does willful authorial assertion of the primacy of story and character.

Ford deliberately alternated big-budget studio projects with small- budget personal projects that had meaning for him. The town was elaborate enough to allow shooting the nearly all of the film on location, interiors and exteriors alike.

Ford saw that the town was ceded to the Navajo nation after shooting was completed. Inhe claimed never to have seen the My Darling Clementine.

My children liked it a lot. But I — you know. The existence of the unique version came to light as students reported details to their professors that were different from the studio release. Lloyd Bacon directed these scenes on a studio soundstage against backdrops of Monument Valley scenery.

The diffuse and photographic textures clearly contrast with the richly-detailed and sharp natural images of the rest of the film, even the footage that Ford shot on a studio sound stage.He points out that The Color Purple () and John Ford's The Grapes of Wrath () move away from their source novels’ respective feminist and socialist agendas, while in turn, Man Friday (Jack Gold, ) is a specifically ‘antiracist, anticolonialist, antireligious’ retelling of The Adventures of .

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Through John Ford’s interpretation of the novel the film comes off as less as a social commentary and more of “the peoples” indomitable spirit to overcome hardships.

Characters The characters in The Grapes of Wrath are often archetypes and sometimes stereotypes. THE GRAPES OF WRATH, screen play by Nunnally Johnson based on the novel by John Steinbeck; musical score by Alfred Newman; directed by John Ford; . Apr 05,  · The Grapes of Wrath is an American realist novel written by John Steinbeck and published in The book won the National Book Award and Pulitzer Prize for.

The Grapes of Wrath is a American drama film directed by John Ford. It was based on John Steinbeck 's Pulitzer Prize -winning novel of the same name. The screenplay was written by Nunnally Johnson and the executive producer was Darryl F.

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The Grapes of Wrath () - IMDb